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A phrase I remember most of all from my mother is Don't
forget the real reason why we have Christmas. In Lil'
Bit's Heart of Christmas there is a song that my wife wrote
as a children's lullaby. I added a Christmas chorus, thinking
about a mockingbird in an olive tree outside the stable where
Jesus was born, and that's how the bird learned to sing his song.
Sara Hickman recorded
it in 2001 and retitled it The
Reason We Have Christmas in the World.
Christmas Eve 1975 was the first together for my wife and me.
A child ran away from the Denton orphanage across the street
from where we lived. It was a tense few hours, as the weather
was going to be freezing, but the child was found safe. The origins
of Lil' Bit go back to a green hobo Top Hat on a 6-foot-2
leprechaun, while having coffee in Tiny Naylor's Westwood (L.A.),
California coffee shop. I drew comics of this kid for free meals
and signed my pen name, Billy James Cameron, at the
bottom of each. I thought it should say a lil' bit
more than Peanuts: Why not have internationally diverse
kids facing everyday conflicts without words, only the silence
of their facial expressions, about what matters most in their
world?
I parked cars back then, in 1970. One tenant saw my poetry, lyrics,
and cartoon stuff and advised me to write a Christmas tale. His
name was Mr. Jerome Kern. That same holiday season, I cut off
the top of a penthouse tenant's Christmas tree, which otherwise
wouldn't fit. I took the remnant downstairs, poked it into a
Coca-Cola bottle, and wrote a one-page lyric prose-poem of a
child runaway finding such a treetop cut off and discarded. When
poked in the ground of a secret and sacred hideout behind bushes
beside a church steeple wall, it magically grows into fullness
and becomes brightly decorated. I gave a copy of it as a gift
to each tenant who tipped me. One lady, Dotty Stern,
read it and wept. She and her escort asked permission to show
it to their friend, Charles Schulz.
This was back in 1970. I didn't get Lil' Bit published
untill 2002, although my unpublished manuscripts were copyrighted
into the Library of Congress in 1999 and 2000.
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